Showing posts with label People You Should Know. Show all posts
Showing posts with label People You Should Know. Show all posts

Monday, January 9, 2012

People You Should Know: Designer Spotlight: John Jesurun

Who He Is
John Jesurun is an avant-garde writer, director, filmmaker, and designer, creating innovative theater since the 1980s, challenging the line between life and death, and incorporating a variety of media into his productions. Born in Battle Creek Michigan in 1951, he is currently based in New York. He holds a BFA from Philadelphia College of Art, and MFA in Sculpture from Yale University.

Why You Should Know Him By Now
Trained in filmmaking and sculpture, he brings an innovative eye to the theater world. He breaks the rules and doesn’t subscribe to traditional forms of presenting live theater. He contrasts stark and simple staging with dynamic and complex digital projections. He deftly creates looks onstage that mimic film-style cuts and angles.

Why We Think He’s Cool
  • Digital Projection. Jesurun uses projections onstage in every way imaginable. Some productions have a live feed of the action onstage projected on large screens. Other times the actors are seen in a close shot onscreen performing dialogue. (both styles seen in Septet in 2005). In his 2009 production of Firefall the large screen behind the performers is flooded with a multitude of layered windows streaming live internet footage. Jesurun blends his interests in filmmaking with his pension for “sampling” different images, song lyrics, and pieces of dialogue to create multi-layered and challenging pieces of theater.
  • Ingenious staging. As seen in is long-running serial theater production Chang in a void moon, the actors perform on a starkly bare stage with minimal blocking. Jesurun deals with scenes as if editing a film, with short bits of dialogue and “fast cuts” to the next scene. He has been known to use pieces of white foam board to create the illusion that the audience is viewing the actors from different angles, as seen in the photo below. Actors may lay on their sides on custom made platforms to give the appearance of a top view. Jesurun doesn’t want to simply trick the audience; he wants to create a visual paradox. The audience begins to see the performers in two positions at once, both how they appear, and how they really are.

  • In his own words. "You live in this house. You walk in this street. If you’re going to be in a big space then you have to make it further. Which is interesting to me from the sculptural point of view—to always deal with the space that you’re in. That’s where you are. That’s where everybody else is going to be. So let’s not pretend that we’re someplace else." (From an interview by Craig Gholson - Bomb Magazine, 1985)
Where To See Him Do His Thing
The world premiere of Jesurun’s production “Stopped Bridge of Dreams” will be showing at La MaMa from January 20 - Feb 5 2012.
Where To Learn More
http://bombsite.com/issues/11/articles/617

(Photos courtesy of John Jesurun)

People You Should Know: Director Spotlight 1: Anne Kauffman

Who is she?
Anne Kauffman, is a NYC based, kick-butt director. 
Why you should know her by now
She’s an OBIE award winner for her direction of The Thugs by Adam Bock at SoHo Rep as well as the go-to director for new plays.  She has a long standing relationship with playwrights like Jordan Harrison, Anne Washburn and Jenny Schwartz as well as others.  Her production of Harrison’s Maple and Vine, was one of the favorites of The Humana Festival of 2011 which prompted Playwrights Horizons to have her direct an all-new production this past year in New York. She is hired all over at places like A.R.T., Wooly Mammoth, Manhattan Theatre Club, The Vineyard and The Guthrie, just to name a few.  She is a professor of Directing at NYU’s Playwrights Horizons Studio. She received her MFA in Directing from UCSD.
Why we think she is cool
·         She is smart and very selective.   She seems to choose the projects that are right for her, rather than what makes sense for her career.  That takes a great amount of guts in a world where female directors (hell, all directors) can be seen begging for work.  This might be one of the main reasons she’s just so sought-after and successful.  That doesn’t mean she only takes “easy” projects that won’t risk failure.  She gravitates towards plays that have a lot of questions or problems to solve, often working on new plays and being instrumental in their development.  Playwrights seem to love her, due to the fact that if Ms. Kauffman has directed your play she tends to direct many that follow.  She’s a collaborator in the truest since of the word, and always serves the play.

·         She gets bored.  In a The Days of Yore interview she talks about how she started as an actress but would get “bored” in the rehearsal hall.  She turned to directing because it forced her to stay active, there’s too much responsibility as a director to let her mind wander.  That might be why she only spends a day or two on table work.  She gets her actors on their feet and keeps the rehearsal hall fluid and active. 

·         She surprises.  Her collaboration with her designers is risky and always seems surprising.  In her 2011 production of Maple and Vine at the 2011 Humana Festival of New American Plays the set moved and shifted in dozens of patterns.  The floor would disappear and suddenly a mid-century living room would appear while a modern day bedroom elevators down.  In her most recent production, Body Awarenes(currently playing at Philadelphia’s The Wilma Theatre), things appear simpler. She employs a unit set of three different spaces: a college lecture hall, a kitchen, and a bedroom.  What is surprising is how she uses it. She establishes rules of space and then breaks them, leaving the audience to wonder about the lines between academia and the bedroom.  It’s my belief, that theatre does surprise better than most things and it’s something Ms. Kauffman seems to be damn good at manipulating.
Where you can see her do her thing
Her production of Annie Baker’s Body Awareness opens at The Wilma in Philadelphia this week.  Click here for tickets and more information: http://www.wilmatheater.org/production/body-awareness